
HOW TO
transcend
Discover DESIRE UNTAMED
April 11 - 27, 2025
a happy marriage
SARAH RUHL’s

SARAH RUHL’S
transcend
HOW TO
a happy marriage
Discover
DESIRE UNTAMED
April 11 - 27, 2025
The cast of RENT featuring Jeremy Allen Crawford (Mark) and Carter Crosby (Roger), along with Artistic Director Sean Elias, join CBS News WJZ Baltimore in the studio to discuss the critically acclaimed and award-winning production on stage now at Iron Crow Theatre.






































PHOTOGRAPHY BY WILSON FREEMAN
Overflowing with subversive enchantment, Sarah Ruhl’s How to Transcend a Happy Marriage takes you on a wild ride through the uncharted territories of love and desire, polyamory, throuples, and matrimony. This provocative play combines absurd domestic comedy with erotic magical realism, unraveling the blurred lines between strangers, friends, and lovers.
At a dinner party deep in the wilds of New Jersey, George, and her husband talk with a fellow married couple and find themselves captivated by stories of a younger polyamorous woman who hunts her own meat. Intrigued, they invite the mysterious woman and her two live-in boyfriends to a New Year’s Eve party—setting off a chain of events, including an unexpected orgy, that will forever change their lives.
Sarah Ruhl’s exploration of human connection, desire, and love challenges and delights in equal measure. Don’t miss this unforgettable voyage into the complexities of modern relationships and the magic of Ruhl’s unique storytelling.
“celebrated for…blurring boundaries between myth and reality, poetry and prose and even animal and human.”
— The New York Times
“Sarah Ruhl tackles the polyamorous in her brilliant new play…finds love, beauty, and music.”
— The Wrap
Featuring fast and funny dialogue…operating on all cylinders.”
— The Hollywood Reporter
“…reinvigorate[d] with welcome bursts of theatricality…make it, again, feel genuinely fresh.”
— MD Theatre Guide
“A thrilling, stunningly realized,
fully inhabited production. Baltimore small theatre at its best!”
— WYPR
“Skillful direction…Revitalized…This production has moments that you simply should not miss.”
— DC Theatre Arts
“…an overwhelming swirl of light, action, sound, and emotion, it should be a discordant cacophony, but instead it’s gorgeous chaos.”
— BroadwayWorld Baltimore
“…purchase tickets to see this wonderful theatrical production that will make you laugh, cry and reflect. Do it today!”
— TheatreBloom
GEORGE
VALERIE DOWDLE
SHE / HER
-
Iron Crow Theatre debut! Valerie Dowdle is a lifelong performer. She received the gift of early training from Helen Grigal (BAT), Gerald Smith (Hereford High School), Donald Hicken, and Michael Tolaydo (St. Mary’s College of Maryland), among many others. Over the decades, Valerie has appeared on stage with the Baltimore Shakespeare Factory, Vagabond Players, Fells Point Corner Theatre, The Strand, Chesapeake Shakespeare Company, Baltimore Shakespeare Festival, Oregon Ridge Dinner Theatre, Mt. Airy Players, Chesapeake Arts Center, and more. She is also a proud board member of Faction of Fools in DC. Thanks to Ann, the cast and crew, and to the audience for supporting the arts when we need them most!
PAUL
JONAS CONNORS-GREY+
HE / HIM
-
Iron Crow Theatre Artistic Associate! Jonas Connors-Grey was last seen at Iron Crow Theatre in The Rocky Horror Show, The Mystery of Love & Sex, The Laramie Project and Cloud 9. He has performed in regional theaters throughout the country including Chicago, Atlanta, New York and Birmingham. Regional credits include Romeo and Juliet, Henry V, Little Shop of Horrors, Hellcab, I Hate Hamlet and Big River. Film credits include A Dirty Shame, My Dog Skip, Shot in the Heart and Alien Factor 2: The Alien Rampage. Jonas is also a director and teaches Drama at The Odyssey School in Baltimore.
JANE
ASIA-LIGÉ ARNOLD+
SHE / HER
-
Iron Crow Theatre Artistic Associate! Asia-Ligé is extremely excited to return to Iron Crow in yet another production. Iron Crow Theatre: Everybody’s Talking About Jamie (Ray), Head Over Heels (Mopsa), The Rocky Horror Show (Columbia), Collective Rage: A Play in 5 Betties (Betty 3). Toby’s Dinner Theater: The Sound of Music (Baroness Elsa Schraeder); The Addams Family (Ancestor | Grandma u/s); Beauty and the Beast (Swing | Babette u/s), Sister Act (Michelle | Deloris u/s), Escape to Margaritaville (Marley), Grease (Miss Lynch/Teen Angel); ArtsCentric: Cinderella (Queen Constantina), CROWNS (Wanda), The Wiz (Ensemble, Aunt Em/Glinda u/s); Constellation Theatre: Once On This Island (Little Ti Moune cover); Facebook: Asia-Lige Arnold; IG: @asialige_arnold; Tik Tok: @Singapore_84. AEA Eligible.
MICHAEL
GABE FREMUTH
HE / HIM
-
Iron Crow Theatre debut! Gabe Fremuth is a writer and actor who has performed with Fells Point Corner Theatre, the Baltimore Shakespeare Factory, Vagabond Theatre, and now Iron Crow. He is immensely grateful to this cast and crew for their work, trust, and talent, and to have gotten the opportunity to tell this story alongside everyone.
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Iron Crow Theatre debut! Frankie Marsh is thrilled to be making her debut with Baltimore's Iron Crow Theatre. She earned her B.F.A. in Acting from Towson University, where she participated in numerous Mainstage productions including Merrily We Roll Along, Ways of Dying, and Paradise Lost. During her time at Towson, she co-composed and performed an original underscore for Hamlet, receiving a Certificate of Merit for Excellence in Musical Composition from the Kennedy Center American College Theatre Festival. Additionally, she starred as Taylor in the faculty-produced short film It Takes Courage, which won a 2024 Capital Emmy. Most recently, Frankie received acclaim for her portrayal of Ilse in Maryland Theatre Collective’s Bloomie Award-winning production of Spring Awakening. She is proud to be a member of the vibrant Baltimore arts community and extends her heartfelt gratitude to everyone supporting local theatre!
PIP
FRANKIE MARSH
SHE / THEY
-
Iron Crow Theatre debut! Sam is a DC-based actor excited to be making his debut with Iron Crow Theatre! Past credits: Death on the Nile, Exclusion (Arena Stage); Postcards from Ihatov (1st Stage); Human Museum (Rorschach Theatre); One Mo' Time (Anacostia Playhouse); Príncipe y Príncipe (GALA Hispanic Theatre); Mr. Popper's Penguins (Imagination Stage); Antigone (Barbican/Kennedy Center). Website: samfromkin.com
DAVID
SAM FROMKIN
HE / HIM
-
Iron Crow Theatre Artistic Associate! Jake Stibbe is excited to be back with Iron Crow Theatre, last being seen as Dean / Jamie’s Dad in Everybody’s Talking about Jamie. Other Iron Crow credits include Brad in The Rocky Horror Show and Jason in Mankind. Previous professional credits include Matilda, Newsies (Constellation Stage and Screen), Bob: A Life in Five Acts, Fly By Night, Alice in Wonderland, Ripcord (Ensemble Theatre Cincinnati), A Christmas Carol, As You Like It (Chesapeake Shakespeare Company), Annie (Children’s Theatre of Cincinnati), and The Buddy Holly Story (Hackmatack Playhouse). Jake is excited to share that he will be graduating this spring with his master’s in social work from the University of Maryland, Baltimore. He would like to thank his wonderful community of friends and loved ones in Charm City. Let’s keep making Baltimore weird!
FREDDIE
JAKE STIBBE+
HE / HIM
JENNA
GAB RYAN
SHE / THEY
-
Iron Crow Theatre debut! Gab Ryan is ecstatic to be making her Iron Crow Theatre debut with this wonderful cast and crew! Gab is currently a TA with Adventure Theatre’s Pre-Professional program as a dance instructor and has also served as assistant choreographer for Cabaret (with David Singleton) and In the Heights (with Pep Targete) as part of Montgomery College’s 2024 season of Summer Dinner Theatre. She is a proud alum of the University of Maryland where she solidified her love for the intersection of the theatrical and journalistic worlds. Credits: Sailing on String (Twine), Olney Outdoors (Featured Dancer), The Black Smile Dance Film with Olivia Eddings and Shartoya Jn. Baptiste (Featured Dancer), Synetic Theater Company Trainee. UMD Credits: Men on Boats (John Wesley Powell), The Prom (Angie/Dance Captain), By The Way Meet Vera Stark (Anna Mae/Afua), Are We Going to Hell for This? (Featured Dancer), Mother in the Wild: A Puppet Operetta by Miele Murray (Monistheina), John Proctor is the Villain with Ghostlight (Ivy/Fight + Intimacy Captain), A Chorus Line with 32 Bars (Choreographer/Sheila swing). Faculty Dance Concert 2023 (Assistant Stage Manager), UMoves 2024 (Co-Projection Designer). Next up: Iron Crow Theatre’s The Rocky Horror Show. Keep up with their journey on IG/Twitter: @gabellacrystal, LinkedIn: Gabrielle Ryan.
+ denotes Iron Crow Theatre Resident Artist
* denotes Member, Actors’ Equity Association. The professional union for actors and stage managers in the United States.
CREATIVE TEAM
WRITTEN BY
SARAH RUHL
SHE / HER
DIRECTOR
ANN TURIANO*+
SHE / HER
ASST. DIRECTOR/ ASST. STAGE MANAGER / DRAMATURG
MELISSA FRELEICH
SHE / HER
STAGE MANAGER
ALEX PERRY
THEY / THEM
COSTUME DESIGN
KITT CRESCENZO
SHE / HER
SET DESIGN
JAMES RAYMOND
HE / HIM
LIGHTING DESIGN
JANINE VREATT+
SHE / HER
PROPS DESIGN
ANNE HAMMONTREE
SHE / HER
TECHNICAL DIRECTOR
BRUCE KAPPLIN+
HE / HIM
SOUND DESIGN / A1
ZACH SEXTON+
HE / HIM
SAFER SPACES TRAINING / INTIMACY DIRECTOR
SHAWNA POTTER+
SHE / HER
+ denotes Iron Crow Theatre Resident Artist
* denotes Member, Actors’ Equity Association. The professional union for actors and stage managers in the United States.












































PHOTOGRAPHY BY WILSON FREEMAN
Welcome to the Season of the Unorthodox! We are so excited to welcome you back to the theatre for our most daring season yet, and what other show to start with than the musical that dared to defy American musical theatre itself, RENT! What always struck me about RENT was the true depths of despair in which these characters are living - both emotionally and physically.
Today, RENT carries a sense of deep history, nostalgia, and sometimes rigid expectations. Most revivals largely adhere to the musical’s original Broadway staging from 1996. For me, these staging conventions often overshadow the musical’s intent to exist as a form of agitational propaganda. RENT was created as a vehicle to highlight the socio-political upheaval of the late 1980s and early 1990s, the devastation of the early days of the AIDS epidemic, and to serve as a warning of what happens when we lose sight of our shared humanity. It also serves as a testament to the ways that love and living in community can defy great odds.
It was important for me to re-envision this piece in a way that would allow what gets lost in the production’s “baggage” to be experienced anew. What emerged was a staging and theatrical language that resists the allure of nostalgia, and urges our audiences to confront uncomfortable truths while inspiring us all to be agents of change in our own communities.
Without you, our audience and supporters, Iron Crow Theatre, could not exist. Thank you for supporting queer theatre and small professional theatre here in Baltimore. I promise you that it means so much to so many here in Maryland and across the country: those we love and those we’ve lost.
Warmly,
Sean Elias, M.A., B.F.A.
Director, RENT
Artistic Director, Iron Crow Theatre
“What emerged was a staging and theatrical language that resists the allure of nostalgia, and urges our audiences to confront uncomfortable truths while inspiring us all to be agents of change in our own communities.”
— SEAN ELIAS
Director, RENT
RUN TIME:
Approximately 2 hours including a 15-minute intermission.
CONTENT:
The production includes sexual themes, irreverent jokes including those of a religious nature, simulated violence, and mentions of war, slavery, disease, and death. The production design includes the use of loud sound effects, haze, the use of props that sound similar to that of a gunshot, and bright, strobing, reflective lighting.
BALTIMORE THEATRE PROJECT
45 West Preston St.
Baltimore, MD 21201
WWW.THEATREPROJECT.ORG
SUNDAY, JANUARY 21
Iron Crow Theatre is honored to partner with Free State Justice, Maryland’s leading state-based non-profit, working to improve the lives of Maryland’s LGBTQ+ communities through free legal services, legislative advocacy, and education and outreach programs. Join us during pre-show for a special conversation on decriminalizing HIV with special guest Delegate Kris Fair in partnership with FreeState Justice.
FRIDAY, JANUARY 26
This date marks the 28th anniversary of the first performance of RENT at New York Theatre Workshop which is also the day after Jonathan Larson tragically passed away. Join us for a Seasons of Love Sing-Along after the show to honor Jonathan Larson’s legacy. Lyrics provided.
SUNDAY, FEBRUARY 4
This date marks what would have been Jonathan Larson’s 64th birthday. Join us pre-show for a special Happy Birthday Sing-Along for Jonathan and after the show for one final Seasons of Love Sing-Along to honor Jonathan Larson’s legacy and the closing night of RENT. Lyrics provided.
THE NATIONAL AIDS MEMORIAL
Iron Crow Theatre is honored to have received special permission to display a block of the National AIDS Quilt in our lobby and to be a supporter of the National AIDS Memorial’s efforts to bring the Quilt to communities across the United States to raise greater awareness and education about HIV/AIDS and to remember those lost to the AIDS pandemic.
WHOSE STREETS? OUR STREETS!”: NYC 1980 - 2000
New York City streets were turbulent and often violent as residents responded to the AIDS epidemic and social changes in their city, as well as to national and international developments. What began as part of our production’s dramaturgical research has now been brought to life in the Baltimore Theatre Project’s gallery through a partnership with the Rochester Institute of Technology. 37 photographers documented ordinary New Yorkers as they rallied, marched, and demonstrated. The exhibition was curated by Tamar W. Carroll, Meg Handler, Mike Kamber, and Josh Meltzer.
