HOW TO

transcend

Discover DESIRE UNTAMED

April 11 - 27, 2025

a happy marriage

SARAH RUHL’s

SARAH RUHL’S

transcend

HOW TO

a happy marriage

Discover
DESIRE UNTAMED

April 11 - 27, 2025

The cast of RENT featuring Jeremy Allen Crawford (Mark) and Carter Crosby (Roger), along with Artistic Director Sean Elias, join CBS News WJZ Baltimore in the studio to discuss the critically acclaimed and award-winning production on stage now at Iron Crow Theatre.

PHOTOGRAPHY BY WILSON FREEMAN

Overflowing with subversive enchantment, Sarah Ruhl’s How to Transcend a Happy Marriage takes you on a wild ride through the uncharted territories of love and desire, polyamory, throuples, and matrimony. This provocative play combines absurd domestic comedy with erotic magical realism, unraveling the blurred lines between strangers, friends, and lovers.

At a dinner party deep in the wilds of New Jersey, George, and her husband talk with a fellow married couple and find themselves captivated by stories of a younger polyamorous woman who hunts her own meat. Intrigued, they invite the mysterious woman and her two live-in boyfriends to a New Year’s Eve party—setting off a chain of events, including an unexpected orgy, that will forever change their lives.

Sarah Ruhl’s exploration of human connection, desire, and love challenges and delights in equal measure. Don’t miss this unforgettable voyage into the complexities of modern relationships and the magic of Ruhl’s unique storytelling.

“celebrated for…blurring boundaries between myth and reality, poetry and prose and even animal and human.”

— The New York Times

“Sarah Ruhl tackles the polyamorous in her brilliant new play…finds love, beauty, and music.

— The Wrap

Featuring fast and funny dialogue…operating on all cylinders.”

— The Hollywood Reporter

“…reinvigorate[d] with welcome bursts of theatricality…make it, again, feel genuinely fresh.

— MD Theatre Guide

Read the full review

“A thrilling, stunningly realized,
fully inhabited production. Baltimore small theatre at its best!”

— WYPR

Listen to the full review

Skillful direction…Revitalized…This production has moments that you simply should not miss.”

— DC Theatre Arts

Read the full review

“…an overwhelming swirl of light, action, sound, and emotion, it should be a discordant cacophony, but instead it’s gorgeous chaos.

— BroadwayWorld Baltimore

Read the full review

“…purchase tickets to see this wonderful theatrical production that will make you laugh, cry and reflect. Do it today!”

— TheatreBloom

Read the full review

CREATIVE TEAM


Interested in joining the creative team? Email us and introduce yourself!

CAST


Interested in joining the cast? Check out our audition page.

CAST


Interested in joining the cast? Check out our audition page.

CREATIVE


Interested in joining the creative team? Email us and introduce yourself!

AUTHOR

DAVID JAVERBAUM

HE / HIM

DIRECTOR

SEAN ELIAS*+

HE / HIM

TECHNICAL DIRECTOR

BRUCE KAPPLIN+

HE / HIM

+ denotes Iron Crow Theatre Resident Artist
* denotes Member, Actors’ Equity Association. The professional union for actors and stage managers in the United States.

BOOK, MUSIC, LYRICS

JONATHAN LARSON

HE / HIM

STAGE MANAGER

MONIQUE CHAMBERS-SLEDJESKI

SHE / HER

DIRECTOR

SEAN ELIAS*+

HE / HIM

ASST. STAGE MANAGER

EMILY COCCOVIZZO

SHE / HER

CHOREO & ASST. DIRECTOR

QUAE SIMPSON*+

HE / HIM

AUDIO ENGINEER (1/27 - 2/18)

JJ. NICHOLS

THEY / THEM

LIGHTING DESIGN

THOMAS P. GARDNER+

HE / HIM

TECHNICAL DIRECTOR

BRUCE KAPPLIN+

HE / HIM

COSTUME DESIGN

CAMILLE LERNER

SHE / HER

AUDIO ENGINEER (1/19 - 21)

BRAD J. RANNO

HE / HIM

ASST. COSTUME DESIGN

APRIL FORRER+

SHE / HER

AUDIO ENGINEER (1/26)

THOM WOODWARD

HE / HIM

SET DESIGN

THOMAS JENKELEIT

HE / HIM

MUSIC DIRECTOR

RACHEL SANDLER

SHE / HER

JOANNE JEFFERSON

BREANNE SENSENIG

BENJAMIN COFFIN, III

ANWAR THOMAS

ENSEMBLE & ROGER U/S

LANDON BLACK

ENSEMBLE & MARK U/S

SAM SLOTTOW

ENSEMBLE & BENNY,COLLINS U/S

TYLER WHITE

TOM COLLINS

TERRELL CHAMBERS

MARK COHEN

JEREMY ALLEN CRAWFORD

MIMI MARQUEZ

NATALIA FYFE

MAUREEN JOHNSON

RACHEL CAHOON

ANGEL DUMOTT SCHUNARD

NICHOLAS MILES+

ENSEMBLE & MAUREEN, JOANNE U/S

TEDDY WRIGHT

ROGER DAVIS

CARTER CROSBY

INTIMACY DIRECTOR

SHAWNA POTTER+

SHE / HER

ENSEMBLE & MIMI U/S

JESSICA RAMON

+ denotes Iron Crow Theatre Resident Artist
* denotes Member, Actors’ Equity Association. The professional union for actors and stage managers in the United States.

CREATIVE TEAM


PHOTOGRAPHY BY WILSON FREEMAN

+ denotes Iron Crow Theatre Resident Artist

ROGER DAVIS

CARTER CROSBY

MIMI MARQUEZ

NATALIA FYFE

MARK COHEN

JEREMY ALLEN CRAWFORD

TOM COLLINS

TERRELL CHAMBERS

ANGEL DUMOTT SCHUNARD

NICHOLAS MILES+

MAUREEN JOHNSON

RACHEL CAHOON

JOANNE JEFFERSON

BREANNE SENSENIG

BENJAMIN COFFIN, III

ANWAR THOMAS

ENSEMBLE & ROGER U/S

LANDON BLACK

ENSEMBLE & MIMI U/S

JESSICA RAMON

ENSEMBLE & MARK U/S

SAM SLOTTOW

ENSEMBLE & BENNY, COLLINS U/S

TYLER WHITE

ENSEMBLE & MAUREEN, JOANNE U/S

TEDDY WRIGHT

CREATIVE TEAM


BOOK, MUSIC, LYRICS

JONATHAN LARSON

HE / HIM

DIRECTOR

SEAN ELIAS+

HE / HIM

CHOREOGRAPHY & ASST. DIRECTOR

QUAE SIMPSON+

HE / HIM

MUSIC DIRECTOR

RACHEL SANDLER

SHE / HER

STAGE MANAGER

MONIQUE CHAMBERS

SHE / HER

ASST. STAGE MANAGER

EMILY COCCOVIZZO

SHE / HER

INTIMACY DIRECTOR

SHAWNA POTTER+

SHE / HER

TECHNICAL DIRECTOR

BRUCE KAPPLIN+

HE / HIM / HIS

LIGHTING DESIGN

THOMAS P. GARDNER+

HE / HIM

COSTUME DESIGN

CAMILLE LERNER

SHE / HER

ASST. COSTUME DESIGN

APRIL FORRER+

SHE / HER

SET DESIGN

THOMAS JENKELEIT

HE / HIM

AUDIO ENGINEER (1/27 - 2/4)

JJ NICHOLS

THEY / THEM

AUDIO ENGINEER (1/19 - 1/21)

BRAD J. RANNO

HE / HIM

AUDIO ENGINEER (1/26)

THOM WOODWARD

HE / HIM

Welcome to the Season of the Unorthodox! We are so excited to welcome you back to the theatre for our most daring season yet, and what other show to start with than the musical that dared to defy American musical theatre itself, RENT! What always struck me about RENT was the true depths of despair in which these characters are living - both emotionally and physically.

Today, RENT carries a sense of deep history, nostalgia, and sometimes rigid expectations. Most revivals largely adhere to the musical’s original Broadway staging from 1996. For me, these staging conventions often overshadow the musical’s intent to exist as a form of agitational propaganda. RENT was created as a vehicle to highlight the socio-political upheaval of the late 1980s and early 1990s, the devastation of the early days of the AIDS epidemic, and to serve as a warning of what happens when we lose sight of our shared humanity. It also serves as a testament to the ways that love and living in community can defy great odds.

It was important for me to re-envision this piece in a way that would allow what gets lost in the production’s “baggage” to be experienced anew. What emerged was a staging and theatrical language that resists the allure of nostalgia, and urges our audiences to confront uncomfortable truths while inspiring us all to be agents of change in our own communities.

Without you, our audience and supporters, Iron Crow Theatre, could not exist. Thank you for supporting queer theatre and small professional theatre here in Baltimore. I promise you that it means so much to so many here in Maryland and across the country: those we love and those we’ve lost.

Warmly,

Sean Elias, M.A., B.F.A.
Director, RENT
Artistic Director, Iron Crow Theatre

“What emerged was a staging and theatrical language that resists the allure of nostalgia, and urges our audiences to confront uncomfortable truths while inspiring us all to be agents of change in our own communities.”

— SEAN ELIAS
Director, RENT

RUN TIME:
Approximately 2 hours including a 15-minute intermission.

CONTENT:
The production includes sexual themes, irreverent jokes including those of a religious nature, simulated violence, and mentions of war, slavery, disease, and death. The production design includes the use of loud sound effects, haze, the use of props that sound similar to that of a gunshot, and bright, strobing, reflective lighting.

 

BALTIMORE THEATRE PROJECT

45 West Preston St.
Baltimore, MD 21201

WWW.THEATREPROJECT.ORG

SUNDAY, JANUARY 21

Iron Crow Theatre is honored to partner with Free State Justice, Maryland’s leading state-based non-profit, working to improve the lives of Maryland’s LGBTQ+ communities through free legal services, legislative advocacy, and education and outreach programs. Join us during pre-show for a special conversation on decriminalizing HIV with special guest Delegate Kris Fair in partnership with FreeState Justice.

FRIDAY, JANUARY 26

This date marks the 28th anniversary of the first performance of RENT at New York Theatre Workshop which is also the day after Jonathan Larson tragically passed away. Join us for a Seasons of Love Sing-Along after the show to honor Jonathan Larson’s legacy. Lyrics provided.

SUNDAY, FEBRUARY 4

This date marks what would have been Jonathan Larson’s 64th birthday. Join us pre-show for a special Happy Birthday Sing-Along for Jonathan and after the show for one final Seasons of Love Sing-Along to honor Jonathan Larson’s legacy and the closing night of RENT. Lyrics provided.

THE NATIONAL AIDS MEMORIAL

Iron Crow Theatre is honored to have received special permission to display a block of the National AIDS Quilt in our lobby and to be a supporter of the National AIDS Memorial’s efforts to bring the Quilt to communities across the United States to raise greater awareness and education about HIV/AIDS and to remember those lost to the AIDS pandemic.

WHOSE STREETS? OUR STREETS!”: NYC 1980 - 2000

New York City streets were turbulent and often violent as residents responded to the AIDS epidemic and social changes in their city, as well as to national and international developments. What began as part of our production’s dramaturgical research has now been brought to life in the Baltimore Theatre Project’s gallery through a partnership with the Rochester Institute of Technology. 37 photographers documented ordinary New Yorkers as they rallied, marched, and demonstrated. The exhibition was curated by Tamar W. Carroll, Meg Handler, Mike Kamber, and Josh Meltzer.